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雖然沒有達(dá)成任何一樁體育直播合作,,但Netflix卻影響著體育賽事的價(jià)值

Rachyl Jones
2023-09-06

在競爭對手紛紛推出體育直播節(jié)目之際,,Netflix現(xiàn)在希望能夠在自己的業(yè)務(wù)中給屏幕外的世界帶來意料之外的影響,。

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賽車手塞巴斯蒂安·維特爾奪冠新加坡大獎(jiǎng)賽(Singapore Grand Prix)。圖片來源:LARS BARON—GETTY IMAGES

Netflix通過設(shè)置懸念和意想不到的情節(jié)轉(zhuǎn)折來吸引觀眾,,如今已經(jīng)發(fā)展出了價(jià)值數(shù)十億美元的流媒體業(yè)務(wù),。在競爭對手紛紛推出體育直播節(jié)目之際,該公司現(xiàn)在希望能夠在自己的業(yè)務(wù)中給屏幕外的世界帶來意料之外的影響,。

蘋果(Apple),、谷歌(Google)旗下的YouTube和亞馬遜(Amazon)等流媒體公司都在體育領(lǐng)域下了重注。過去10年來,,蘋果公司每年要斥資2.5億美元以獲權(quán)播放美國職業(yè)足球大聯(lián)盟(Major League Soccer)的所有賽事——該公司的首席執(zhí)行官蒂姆·庫克在最近的財(cái)報(bào)電話會(huì)議上三次提到足球巨星利昂內(nèi)爾·梅西,。據(jù)報(bào)道,亞馬遜和YouTube每年分別花費(fèi)10億美元和20億美元來購買美國國家橄欖球聯(lián)盟(NFL)的賽事直播版權(quán),。

擁有最多訂閱用戶(2.38億)的平臺(tái)Netflix卻似乎置身事外。今年11月,,該平臺(tái)將進(jìn)行有史以來首個(gè)體育賽事直播:一場名人高爾夫錦標(biāo)賽,。這完全不能與精彩紛呈的《周一橄欖球之夜》(Monday Night Football)節(jié)目相提并論,。

不過,Netflix在體育節(jié)目方面的策略并不像看上去的那么乏善可陳,。該公司正在采取不同的方式從觀眾對體育節(jié)目的需求中獲利,。Netflix并沒有斥巨資購買體育賽事的轉(zhuǎn)播權(quán)——聯(lián)席首席執(zhí)行官特德·薩蘭多斯表示,該公司尚無法通過這項(xiàng)業(yè)務(wù)盈利——而是利用自身在故事敘述方面的優(yōu)勢打造了一系列關(guān)于不同體育和體育選手的深度紀(jì)錄片,。

Netflix的用戶可能會(huì)發(fā)現(xiàn),,近年來該平臺(tái)的主頁上出現(xiàn)了大量的體育內(nèi)容,其中大多都遵循類似的模式:攝制組跟隨一群運(yùn)動(dòng)員走過整個(gè)賽季,,從鏡頭后觀察他們的得與失和個(gè)人生活,。Netflix的首部體育紀(jì)錄片是《一級(jí)方程式:疾速爭勝》(Formula 1: Drive to Survive),這部全五季的紀(jì)錄片講述了賽車手,、經(jīng)理和車隊(duì)老板背后的故事,。如今,Netflix已經(jīng)擴(kuò)展其非官方節(jié)目類型,,現(xiàn)有的節(jié)目包括關(guān)于網(wǎng)球明星的《破發(fā)點(diǎn):大滿貫之路》(Break Point),、關(guān)于高爾夫的《全力揮桿:高爾夫大滿貫之路》(Full Swing)、《明星四分衛(wèi)》(Quarterback),、《啦啦隊(duì)女王》(Cheer)和《環(huán)法自行車賽:逆風(fēng)飛馳》(Tour de France: Unchained)等等,。而且,Netflix并未減緩這一步伐,。今年8月的早些時(shí)候,,該公司宣布正在制作一部關(guān)于田徑運(yùn)動(dòng)員的系列紀(jì)錄片。

獨(dú)立流媒體行業(yè)分析師兼顧問丹·雷伯恩稱,,該策略讓Netflix可以收獲同一群熱愛體育的觀眾,,而無需承擔(dān)直播體育賽事所需付出的高昂費(fèi)用。他認(rèn)為,,Netflix制作體育紀(jì)錄片的成本還遠(yuǎn)低于制作虛構(gòu)劇集,。

另外,不同于體育賽事直播這種熱度稍縱即逝的內(nèi)容,,關(guān)于體育選手和體育的紀(jì)錄片能夠在更長的時(shí)間內(nèi)保持對觀眾的吸引力,。

很難確定Netflix究竟可以從這些體育紀(jì)錄片中獲利多少,因?yàn)樗⑽垂_這類數(shù)據(jù),。雷伯恩對《財(cái)富》雜志表示:“但如果這類紀(jì)錄片無法盈利,,他們就不會(huì)繼續(xù)制作了?!?/p>

為何各大體育聯(lián)盟會(huì)喜愛拍攝紀(jì)錄片

這個(gè)觀點(diǎn)并不十分新奇,。2001年,流媒體服務(wù)平臺(tái)Max的一部分HBO首播《沉重打擊》(Hard Knocks),。該系列紀(jì)錄片講述了美國國家橄欖球聯(lián)盟團(tuán)隊(duì)在訓(xùn)練營的故事,,目前仍然在播出,。該競賽類系列紀(jì)錄片的制作公司Box to Box Films的聯(lián)合創(chuàng)始人保羅·馬丁稱,Netflix的《一級(jí)方程式:疾速爭勝》的制作團(tuán)隊(duì)參考了《沉重打擊》的畫面效果和整體感覺,。

體育研究公司YouGov Sports的數(shù)據(jù)顯示,,《一級(jí)方程式:疾速爭勝》每季播出時(shí)都一如既往地位列Netflix“播放量最高的十大劇集”(Top 10 Most Watched)榜單中,至今有超過680萬人收看了這部紀(jì)錄片,。尼爾森(Nielsen)認(rèn)為,,該紀(jì)錄片促使一級(jí)方程式賽車的觀看量增加了2.3%,貢獻(xiàn)了該指標(biāo)自2019年以來10%的較大幅增長的一部分,。據(jù)《體育商業(yè)期刊》(Sports Business Journal)報(bào)道,,正因此,一級(jí)方程式賽車才能夠在2022年以每年逾7,500萬美元的價(jià)格將其轉(zhuǎn)播權(quán)出售給娛樂與體育電視網(wǎng)(ESPN),,較之前500萬美元的轉(zhuǎn)播權(quán)價(jià)值大幅增長,。

馬丁告訴《財(cái)富》雜志:“在《一級(jí)方程式:疾速爭勝》大獲成功后,各大體育聯(lián)盟分析情況并意識(shí)到,,他們也可以錄制這類節(jié)目,,然后對他們的體育產(chǎn)生同樣的影響?!背恕兑患?jí)方程式:疾速爭勝》,,馬丁還制作了《破發(fā)點(diǎn):大滿貫之路》、《全力揮桿:高爾夫大滿貫之路》和《環(huán)法自行車賽:逆風(fēng)飛馳》,。另外,,他還正在為Netflix制作一部關(guān)于賽跑選手的新紀(jì)錄片。

換句話說,,Netflix正在利用人們對個(gè)人體育項(xiàng)目的興趣來推高體育賽事的價(jià)值,,而無需承擔(dān)觀賽需求增加給流媒體平臺(tái)帶來的成本。

蘋果公司花大價(jià)錢拿下美國職業(yè)足球大聯(lián)盟足球賽事的轉(zhuǎn)播權(quán),。圖片來源:STEPHEN NADLER/ISI PHOTOS/GETTY IMAGES

根據(jù)Statista在2021年發(fā)布的最新數(shù)據(jù),,體育賽事直播催生了龐大的觀眾群體,有5,800萬美國人每月至少觀看一次體育賽事,。不過,,直播賽事可能會(huì)很難盈利,因?yàn)橘愂碌陌鏅?quán)十分昂貴,,而且合作談判既耗時(shí)又費(fèi)力,。據(jù)The Information報(bào)道,亞馬遜在播放《周四橄欖球之夜》(Thursday Night Football)的第一年就損失了數(shù)億美元,。至于YouTube,,專家預(yù)測其購買的周日門票(Sunday Ticket)獨(dú)家權(quán)將會(huì)是一筆賠本買賣。據(jù)報(bào)道,此前擁有該版權(quán)的DirecTV公司每年因?yàn)樵撎撞投鴵p失5億美元,。

由于不參與體育賽事直播競爭,,Netflix還避免了直播的成本和后勤挑戰(zhàn),包括雇傭攝制組和播音員,。今年4月,Netflix的《愛情盲選》(Love Is Blind)節(jié)目的重聚直播出現(xiàn)技術(shù)故障——如果在一場大型賽事的最后幾分鐘發(fā)生類似的事情,,Netflix的品牌聲譽(yù)就將遭受巨大的損害,。

比真實(shí)的犯罪系列紀(jì)錄片更熱門

盡管有一些這類全方位風(fēng)格的體育系列紀(jì)錄片在其他流媒體平臺(tái)上線——例如講述職業(yè)沖浪選手故事的《與浪爭鋒》(Make or Break)在Apple TV+播出——但值得注意的是,大多數(shù)這類紀(jì)錄片都是在Netflix播出的,。

在談到《破發(fā)點(diǎn):大滿貫之路》的制作時(shí),,馬丁表示:“那些網(wǎng)球選手之所以想和Netflix合作,是因?yàn)镹etflix擁有巨大的影響力和觀眾群體,?!敝谱鬟@部紀(jì)錄片的想法是他和男子網(wǎng)球管理機(jī)構(gòu)職業(yè)網(wǎng)球聯(lián)合會(huì)(Association of Tennis Professionals)共同提出的。馬丁說,,他們后來找來了國際女子職業(yè)網(wǎng)球協(xié)會(huì)(Women’s Tennis Association),,并向Netflix推銷該紀(jì)錄片。

馬丁表示,,至于即將推出的田徑系列紀(jì)錄片,,這個(gè)想法誕生于他與Netflix團(tuán)隊(duì)共進(jìn)的一次午餐,當(dāng)時(shí)有人問:“我們?yōu)槭裁床恢谱靼倜踪惻艿募o(jì)錄片,?”他說,,每個(gè)人都認(rèn)為這是個(gè)好主意,Netflix還請來了這項(xiàng)體育的專業(yè)協(xié)會(huì)國際田徑聯(lián)合會(huì)(World Athletics),。

馬丁說:“體育界的每個(gè)人都知道人們對這些節(jié)目有興趣,。”Netflix堅(jiān)持采用這種業(yè)務(wù)模式,,而不是購買體育賽事轉(zhuǎn)播權(quán),,這是明智之舉。他表示,,Netflix無意給某樣事物創(chuàng)造價(jià)值,,然后再以更高的價(jià)格購買它的版權(quán)。

流媒體分析師雷伯恩稱,,至于這類節(jié)目的未來,,消費(fèi)者預(yù)計(jì)會(huì)看到更多流媒體公司將預(yù)算轉(zhuǎn)移到制作體育直播類系列紀(jì)錄片。公司總是會(huì)把錢投向熱門內(nèi)容,,從刑偵到真人約會(huì),,再到真實(shí)的犯罪。他說,,而現(xiàn)在,,人們都在談?wù)揘etflix投資的體育紀(jì)錄片的風(fēng)格,。(財(cái)富中文網(wǎng))

譯者:中慧言-劉嘉歡

Netflix通過設(shè)置懸念和意想不到的情節(jié)轉(zhuǎn)折來吸引觀眾,如今已經(jīng)發(fā)展出了價(jià)值數(shù)十億美元的流媒體業(yè)務(wù),。在競爭對手紛紛推出體育直播節(jié)目之際,,該公司現(xiàn)在希望能夠在自己的業(yè)務(wù)中給屏幕外的世界帶來意料之外的影響。

蘋果(Apple),、谷歌(Google)旗下的YouTube和亞馬遜(Amazon)等流媒體公司都在體育領(lǐng)域下了重注,。過去10年來,蘋果公司每年要斥資2.5億美元以獲權(quán)播放美國職業(yè)足球大聯(lián)盟(Major League Soccer)的所有賽事——該公司的首席執(zhí)行官蒂姆·庫克在最近的財(cái)報(bào)電話會(huì)議上三次提到足球巨星利昂內(nèi)爾·梅西,。據(jù)報(bào)道,,亞馬遜和YouTube每年分別花費(fèi)10億美元和20億美元來購買美國國家橄欖球聯(lián)盟(NFL)的賽事直播版權(quán)。

擁有最多訂閱用戶(2.38億)的平臺(tái)Netflix卻似乎置身事外,。今年11月,,該平臺(tái)將進(jìn)行有史以來首個(gè)體育賽事直播:一場名人高爾夫錦標(biāo)賽。這完全不能與精彩紛呈的《周一橄欖球之夜》(Monday Night Football)節(jié)目相提并論,。

不過,,Netflix在體育節(jié)目方面的策略并不像看上去的那么乏善可陳。該公司正在采取不同的方式從觀眾對體育節(jié)目的需求中獲利,。Netflix并沒有斥巨資購買體育賽事的轉(zhuǎn)播權(quán)——聯(lián)席首席執(zhí)行官特德·薩蘭多斯表示,,該公司尚無法通過這項(xiàng)業(yè)務(wù)盈利——而是利用自身在故事敘述方面的優(yōu)勢打造了一系列關(guān)于不同體育和體育選手的深度紀(jì)錄片。

Netflix的用戶可能會(huì)發(fā)現(xiàn),,近年來該平臺(tái)的主頁上出現(xiàn)了大量的體育內(nèi)容,,其中大多都遵循類似的模式:攝制組跟隨一群運(yùn)動(dòng)員走過整個(gè)賽季,從鏡頭后觀察他們的得與失和個(gè)人生活,。Netflix的首部體育紀(jì)錄片是《一級(jí)方程式:疾速爭勝》(Formula 1: Drive to Survive),,這部全五季的紀(jì)錄片講述了賽車手、經(jīng)理和車隊(duì)老板背后的故事,。如今,,Netflix已經(jīng)擴(kuò)展其非官方節(jié)目類型,現(xiàn)有的節(jié)目包括關(guān)于網(wǎng)球明星的《破發(fā)點(diǎn):大滿貫之路》(Break Point),、關(guān)于高爾夫的《全力揮桿:高爾夫大滿貫之路》(Full Swing),、《明星四分衛(wèi)》(Quarterback)、《啦啦隊(duì)女王》(Cheer)和《環(huán)法自行車賽:逆風(fēng)飛馳》(Tour de France: Unchained)等等,。而且,,Netflix并未減緩這一步伐。今年8月的早些時(shí)候,,該公司宣布正在制作一部關(guān)于田徑運(yùn)動(dòng)員的系列紀(jì)錄片,。

獨(dú)立流媒體行業(yè)分析師兼顧問丹·雷伯恩稱,該策略讓Netflix可以收獲同一群熱愛體育的觀眾,而無需承擔(dān)直播體育賽事所需付出的高昂費(fèi)用,。他認(rèn)為,,Netflix制作體育紀(jì)錄片的成本還遠(yuǎn)低于制作虛構(gòu)劇集。

另外,,不同于體育賽事直播這種熱度稍縱即逝的內(nèi)容,,關(guān)于體育選手和體育的紀(jì)錄片能夠在更長的時(shí)間內(nèi)保持對觀眾的吸引力。

很難確定Netflix究竟可以從這些體育紀(jì)錄片中獲利多少,,因?yàn)樗⑽垂_這類數(shù)據(jù),。雷伯恩對《財(cái)富》雜志表示:“但如果這類紀(jì)錄片無法盈利,他們就不會(huì)繼續(xù)制作了,。”

為何各大體育聯(lián)盟會(huì)喜愛拍攝紀(jì)錄片

這個(gè)觀點(diǎn)并不十分新奇,。2001年,,流媒體服務(wù)平臺(tái)Max的一部分HBO首播《沉重打擊》(Hard Knocks)。該系列紀(jì)錄片講述了美國國家橄欖球聯(lián)盟團(tuán)隊(duì)在訓(xùn)練營的故事,,目前仍然在播出,。該競賽類系列紀(jì)錄片的制作公司Box to Box Films的聯(lián)合創(chuàng)始人保羅·馬丁稱,Netflix的《一級(jí)方程式:疾速爭勝》的制作團(tuán)隊(duì)參考了《沉重打擊》的畫面效果和整體感覺,。

體育研究公司YouGov Sports的數(shù)據(jù)顯示,,《一級(jí)方程式:疾速爭勝》每季播出時(shí)都一如既往地位列Netflix“播放量最高的十大劇集”(Top 10 Most Watched)榜單中,至今有超過680萬人收看了這部紀(jì)錄片,。尼爾森(Nielsen)認(rèn)為,,該紀(jì)錄片促使一級(jí)方程式賽車的觀看量增加了2.3%,貢獻(xiàn)了該指標(biāo)自2019年以來10%的較大幅增長的一部分,。據(jù)《體育商業(yè)期刊》(Sports Business Journal)報(bào)道,,正因此,一級(jí)方程式賽車才能夠在2022年以每年逾7,500萬美元的價(jià)格將其轉(zhuǎn)播權(quán)出售給娛樂與體育電視網(wǎng)(ESPN),,較之前500萬美元的轉(zhuǎn)播權(quán)價(jià)值大幅增長,。

馬丁告訴《財(cái)富》雜志:“在《一級(jí)方程式:疾速爭勝》大獲成功后,各大體育聯(lián)盟分析情況并意識(shí)到,,他們也可以錄制這類節(jié)目,,然后對他們的體育產(chǎn)生同樣的影響?!背恕兑患?jí)方程式:疾速爭勝》,,馬丁還制作了《破發(fā)點(diǎn):大滿貫之路》、《全力揮桿:高爾夫大滿貫之路》和《環(huán)法自行車賽:逆風(fēng)飛馳》,。另外,,他還正在為Netflix制作一部關(guān)于賽跑選手的新紀(jì)錄片。

換句話說,Netflix正在利用人們對個(gè)人體育項(xiàng)目的興趣來推高體育賽事的價(jià)值,,而無需承擔(dān)觀賽需求增加給流媒體平臺(tái)帶來的成本,。

根據(jù)Statista在2021年發(fā)布的最新數(shù)據(jù),體育賽事直播催生了龐大的觀眾群體,,有5,800萬美國人每月至少觀看一次體育賽事,。不過,直播賽事可能會(huì)很難盈利,,因?yàn)橘愂碌陌鏅?quán)十分昂貴,,而且合作談判既耗時(shí)又費(fèi)力。據(jù)The Information報(bào)道,,亞馬遜在播放《周四橄欖球之夜》(Thursday Night Football)的第一年就損失了數(shù)億美元,。至于YouTube,專家預(yù)測其購買的周日門票(Sunday Ticket)獨(dú)家權(quán)將會(huì)是一筆賠本買賣,。據(jù)報(bào)道,,此前擁有該版權(quán)的DirecTV公司每年因?yàn)樵撎撞投鴵p失5億美元。

由于不參與體育賽事直播競爭,,Netflix還避免了直播的成本和后勤挑戰(zhàn),,包括雇傭攝制組和播音員。今年4月,,Netflix的《愛情盲選》(Love Is Blind)節(jié)目的重聚直播出現(xiàn)技術(shù)故障——如果在一場大型賽事的最后幾分鐘發(fā)生類似的事情,,Netflix的品牌聲譽(yù)就將遭受巨大的損害。

比真實(shí)的犯罪系列紀(jì)錄片更熱門

盡管有一些這類全方位風(fēng)格的體育系列紀(jì)錄片在其他流媒體平臺(tái)上線——例如講述職業(yè)沖浪選手故事的《與浪爭鋒》(Make or Break)在Apple TV+播出——但值得注意的是,,大多數(shù)這類紀(jì)錄片都是在Netflix播出的,。

在談到《破發(fā)點(diǎn):大滿貫之路》的制作時(shí),馬丁表示:“那些網(wǎng)球選手之所以想和Netflix合作,,是因?yàn)镹etflix擁有巨大的影響力和觀眾群體,。”制作這部紀(jì)錄片的想法是他和男子網(wǎng)球管理機(jī)構(gòu)職業(yè)網(wǎng)球聯(lián)合會(huì)(Association of Tennis Professionals)共同提出的,。馬丁說,,他們后來找來了國際女子職業(yè)網(wǎng)球協(xié)會(huì)(Women’s Tennis Association),并向Netflix推銷該紀(jì)錄片,。

馬丁表示,,至于即將推出的田徑系列紀(jì)錄片,這個(gè)想法誕生于他與Netflix團(tuán)隊(duì)共進(jìn)的一次午餐,,當(dāng)時(shí)有人問:“我們?yōu)槭裁床恢谱靼倜踪惻艿募o(jì)錄片,?”他說,每個(gè)人都認(rèn)為這是個(gè)好主意,,Netflix還請來了這項(xiàng)體育的專業(yè)協(xié)會(huì)國際田徑聯(lián)合會(huì)(World Athletics),。

馬丁說:“體育界的每個(gè)人都知道人們對這些節(jié)目有興趣,。”Netflix堅(jiān)持采用這種業(yè)務(wù)模式,,而不是購買體育賽事轉(zhuǎn)播權(quán),,這是明智之舉。他表示,,Netflix無意給某樣事物創(chuàng)造價(jià)值,,然后再以更高的價(jià)格購買它的版權(quán)。

流媒體分析師雷伯恩稱,,至于這類節(jié)目的未來,,消費(fèi)者預(yù)計(jì)會(huì)看到更多流媒體公司將預(yù)算轉(zhuǎn)移到制作體育直播類系列紀(jì)錄片。公司總是會(huì)把錢投向熱門內(nèi)容,,從刑偵到真人約會(huì),,再到真實(shí)的犯罪。他說,,而現(xiàn)在,,人們都在談?wù)揘etflix投資的體育紀(jì)錄片的風(fēng)格。(財(cái)富中文網(wǎng))

譯者:中慧言-劉嘉歡

Netflix has built a multi-billion dollar streaming business by keeping viewers hooked with cliffhangers and unexpected plot twists. Now, the company is hoping it can carry out an offscreen surprise in its own business as its competitors pile into live sports programming.

Streaming companies like Apple, Google-owned YouTube and Amazon are all betting big on sports. Apple is paying $250 million per year to show every Major League Soccer match for 10 years (CEO Tim Cook name-checked soccer superstar Lionel Messi three times in the company’s most recent earnings call). And NFL rights are reportedly costing Amazon and YouTube a respective $1 billion and $2 billion annually.

Netflix—the platform with the highest number of subscribers at 238 million—appears to be stuck on the sidelines. In November, it will host its first ever live sporting event: a celebrity golf tournament. It’s a far cry from the razzle dazzle of Monday Night Football.

But Netflix’s sports strategy is not as lackluster as it might seem. The company is taking a different approach to cash in on viewer demand for sports programming. Instead of plunking down huge sums of money for broadcast rights to games—something that co-CEO Ted Sarandos has said Netflix hasn’t found a way to do profitably—Netflix is using its strength in storytelling to create a deep catalog of docu-series about various sports and athletes.

Netflix users might recognize the slew of sports content that has materialized on their home pages in recent years, much of which adheres to a similar format: A camera crew follows a set of athletes through their season for a behind-the-scenes look at their wins, losses and personal lives. The first for Netflix was Formula 1: Drive to Survive, a five-season show following race car drivers, managers and team owners. Netflix has expanded its unofficial genre to include Break Point about tennis stars, Full Swing for golf, Quarterback, Cheer, Tour de France: Unchained and more. It isn’t slowing down. Earlier August, the company announced it is developing a series following track and field athletes.

This strategy lets Netflix reach the same sports-loving audience without having to pay the steep price of showing live sports, says Dan Rayburn, an independent streaming industry analyst and consultant. He reckons the cost of sports documentaries is also significantly lower than the fictional scripted series that Netflix produces.

And unlike live sporting events, a highly perishable form of content, documentaries about athletes and sports can retain their appeal with viewers for a longer period of time.

It is difficult to determine how profitable these sports docu-series are for Netflix, because it doesn’t release figures for the genre. “But if it wasn’t working, they wouldn’t keep making more,” Rayburn told Fortune.

Why sports leagues love docu-series

The idea isn’t totally novel. HBO, part of streaming service Max, premiered Hard Knocks in 2001. The series follows NFL teams through training camp, and it is still on air. Hard Knocks was a reference point for the team that created Netflix’s Drive to Survive on what the show should look and feel like, according to Paul Martin, co-founder of Box to Box Films, which produced the racing docu-series.

Drive to Survive routinely sits on Netflix’s Top 10 Most Watched list when new seasons come out, with more than 6.8 million people having tuned into the show, according to YouGov Sports, a sports research company. Nielsen credits the show for creating a 2.3% increase in Formula 1 auto-racing viewership, as part of a larger 10% bump since 2019. Formula 1 was also able to sell its broadcasting rights to ESPN in 2022 for more than $75 million per year, skyrocketing from the previous $5 million they were worth, according to the Sports Business Journal.

“After the success of Drive to Survive, sports leagues looked around and realized they could do that kind of show and have a similar effect on their sport,” Martin told Fortune. Along with Drive to Survive, Martin produced Break Point, Full Swing and Tour de France: Unchained. He is also producing the new docu-series about runners for Netflix.

In other words, Netflix is tapping into the interest in individual sports and driving up the value of the sporting events, without shouldering the cost of the increased demand.

Live sports bring huge audiences, with 58 million Americans watching sporting events at least once per month, according to the most recent data from Statista in 2021. But it can be difficult to make money broadcasting live games. The rights are expensive, and negotiations are difficult and time-consuming. Amazon reportedly lost “hundreds of millions” of dollars its first year streaming Thursday Night Football, according to The Information. For YouTube, experts expect the Sunday Ticket will act as a loss leader. DirecTV, which formerly owned the rights, was reportedly losing $500 million on the package annually.

By sitting out of the live sports competition, Netflix also avoids the costs and logistical challenges of broadcasting live, including hiring camera crews and announcers. Netflix had technical trouble in April when the tech behind its live Love Is Blind reunion failed—if something like that happened during the final minutes of a big game, the damage to the Netflix brand could be massive.

Better than a true crime series

While some sports docu-series with this all-access style have found homes on other streaming platforms—like Make or Break about professional surfers on Apple TV+—it’s noteworthy that most have ended up on Netflix.

“The tennis guys were set in wanting to be with Netflix because of the reach and audience,” Martin said about producing Break Point. The idea for the show started with him and the Association of Tennis Professionals, the governing body of men’s tennis. They then brought in the Women’s Tennis Association and pitched the series to Netflix, he said.

For the upcoming track and field series, the idea came from a lunch with Netflix where someone said, “Why don’t we just do the 100 meters?” according to Martin. Everyone thought it was a great idea, and Netflix brought in World Athletics, the professional association behind the sport, he said.

“Everyone in the sports world understands there’s an appetite for these shows,” Martin said. It makes sense for Netflix to stay with this model rather than purchasing the rights to the sports games. Netflix isn’t in the business of creating value in something and then having to pay larger prices for rights, he said.

As for the future of the genre, consumers can expect to see more streaming companies shift their budgets to produce live sports docu-series, according to Rayburn, the streaming analyst. Companies are always moving money towards what’s hot, from police procedurals to reality dating series to true crime. And right now, he said, people are talking about the style of sports documentaries Netflix has its money on.

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