亚色在线观看_亚洲人成a片高清在线观看不卡_亚洲中文无码亚洲人成频_免费在线黄片,69精品视频九九精品视频,美女大黄三级,人人干人人g,全新av网站每日更新播放,亚洲三及片,wwww无码视频,亚洲中文字幕无码一区在线

首頁 500強(qiáng) 活動(dòng) 榜單 商業(yè) 科技 商潮 專題 品牌中心
雜志訂閱

TikTok關(guān)閉創(chuàng)作者基金,,引發(fā)網(wǎng)紅們擔(dān)憂

創(chuàng)作者基金的關(guān)閉,,證實(shí)了他們的擔(dān)憂,表明該平臺(tái)并非真正重視短視頻內(nèi)容,。

文本設(shè)置
小號(hào)
默認(rèn)
大號(hào)
Plus(0條)

TikTok以熱門短視頻而聞名,,但其最近關(guān)閉創(chuàng)作者基金的舉動(dòng),卻引起了網(wǎng)紅們的擔(dān)憂。圖片來源:OMAR MARQUES —— SOPA IMAGES/LIGHTROCKET經(jīng)蓋蒂圖片社提供

11月6日,,TikTok宣布將關(guān)閉2020年啟動(dòng)的20億美元?jiǎng)?chuàng)作者基金,。該基金設(shè)立的目的是向平臺(tái)上的熱門視頻創(chuàng)作者支付報(bào)酬。從12月16日起,,如果創(chuàng)作者希望直接獲得TikTok的報(bào)酬,,他們需要加入“創(chuàng)意基金”,該基金僅向不短于60秒的視頻的創(chuàng)作者支付,,而超過60秒,,對(duì)于該平臺(tái)上的許多用戶而言相當(dāng)于長(zhǎng)視頻?!敦?cái)富》雜志采訪的創(chuàng)作者們表示,,創(chuàng)作者基金的關(guān)閉,證實(shí)了他們的擔(dān)憂,,表明該平臺(tái)并非真正重視短視頻內(nèi)容,,而且社交內(nèi)容創(chuàng)作職業(yè)生涯的長(zhǎng)度也存在不確定性。

勞德代爾堡的美食與食譜社交創(chuàng)作者亞歷克薩·桑托斯表示:“我對(duì)長(zhǎng)期從事職業(yè)創(chuàng)作一直有所疑慮,,因?yàn)槲铱床坏轿磥?。”桑托斯的TikTok賬號(hào)@alexawhatsfordinner獲得了1,600多萬個(gè)點(diǎn)贊,。她認(rèn)為,,她的熱門食譜視頻長(zhǎng)度在15至20秒之間效果最佳,但為了獲得TikTok創(chuàng)意基金的獎(jiǎng)勵(lì)資格,,她不得不將視頻延長(zhǎng)到60秒以上,因?yàn)槌酥辈ズ蛶ж浺酝?,這是創(chuàng)作者目前在該平臺(tái)上獲得報(bào)酬的主要途徑,。“每當(dāng)有任何變化的時(shí)候,,創(chuàng)作者都會(huì)倍感壓力,;你不得不修改創(chuàng)作的內(nèi)容,改變創(chuàng)作方式,?!?/p>

2020年7月,TikTok設(shè)立創(chuàng)作者基金,,規(guī)模為2億美元,。當(dāng)時(shí),該公司表示這個(gè)基金的目的是“為那些希望有機(jī)會(huì)通過創(chuàng)意內(nèi)容維持生計(jì)的雄心勃勃的創(chuàng)作者們提供支持”,。雖然TikTok在隨后的幾年中將該基金的規(guī)模擴(kuò)大到20億美元,,但創(chuàng)作者們普遍表示,TikTok的遠(yuǎn)大計(jì)劃并未實(shí)現(xiàn)。就連每月播放量高達(dá)數(shù)百萬的創(chuàng)作者也表示,,該基金支付的報(bào)酬微不足道,。喜劇演員帕特·比托爾(TikTok賬號(hào)@nomdecoom)從2021年春便被納入了創(chuàng)作者基金。他說道:“靠創(chuàng)作者基金,,顯然無法維持生計(jì),。”他表示,,在此期間,,他的視頻月均播放量為200萬次,但他獲得的收入總額只有“幾百美元”,。 “它是我們的科技霸主,;他們可以隨心所欲地隨時(shí)切斷我們的收入來源?!?/p>

被納入創(chuàng)作者基金和創(chuàng)意基金的資格條件不變:TikTok用戶的粉絲量需要超過10,000,,而且過去30天的視頻播放量要超過100,000次。TikTok的一位發(fā)言人對(duì)《財(cái)富》雜志表示,,創(chuàng)作者基金的所有成員可以被自動(dòng)納入創(chuàng)意基金,,只要他們?cè)敢狻?/p>

阿祖爾·麥克康奈爾的賬號(hào)@livecomposed以分享清潔技巧的視頻走紅。她在約兩年前加入創(chuàng)作者基金,,共從該基金獲得6,328美元收入,。這相當(dāng)于每個(gè)月數(shù)百萬的播放量,只有約100美元收入,。麥克康奈爾表示:“我記得,,在最初加入[創(chuàng)作者基金]的時(shí)候,我想我可以靠這個(gè)賺錢,。但隨著內(nèi)容創(chuàng)作事業(yè)的發(fā)展,,我意識(shí)到,[創(chuàng)作者基金]并不足以激勵(lì)我一直堅(jiān)持展示和創(chuàng)作內(nèi)容,?!爆F(xiàn)在,麥克康奈爾主要在TikTok上發(fā)布她為不同品牌創(chuàng)作的內(nèi)容,,這成為她的主要收入來源,。她的原生內(nèi)容在其他社交平臺(tái)上能獲得更高收入。

失敗的計(jì)劃

為了向創(chuàng)作者提供報(bào)酬,,社交媒體巨頭們啟動(dòng)了許多計(jì)劃,,但這些計(jì)劃都已經(jīng)結(jié)束,TikTok的創(chuàng)作者基金也是其中之一,。今年早些時(shí)候,,Meta突然結(jié)束了Reels Bonus計(jì)劃,,而且還修改了廣告收入分成計(jì)劃;這兩個(gè)計(jì)劃啟動(dòng)的目的都是為了向短視頻內(nèi)容的創(chuàng)作者提供報(bào)酬,?!敦?cái)富》雜志曾在文章中表示,TikTok的廣告收入分成計(jì)劃Pulse能讓創(chuàng)作者獲得更多報(bào)酬,。但之后,,TikTok就悄然結(jié)束了該計(jì)劃。

與此同時(shí),,YouTube和Snapchat則在向創(chuàng)作者慷慨付費(fèi),。YouTube Shorts合作伙伴計(jì)劃,直接鼓勵(lì)對(duì)TikTok不再抱有幻想的創(chuàng)作者,,包括麥克康奈爾和桑托斯等,,為谷歌(Google)旗下的視頻網(wǎng)站創(chuàng)作內(nèi)容,而且頗有成效,。Snapchat也在通過“瘋狂的”變現(xiàn)計(jì)劃,,吸引德阿梅里奧姐妹和大衛(wèi)·多布里克等大牌網(wǎng)紅的時(shí)間和內(nèi)容。據(jù)《財(cái)富》雜志報(bào)道,,該公司的計(jì)劃已經(jīng)為某些網(wǎng)紅短短幾天的內(nèi)容支付了高達(dá)10,000美元,。

但創(chuàng)作者依舊將TikTok視為最有可能成為網(wǎng)紅的平臺(tái)。創(chuàng)作者對(duì)《財(cái)富》雜志表示,,創(chuàng)意基金(補(bǔ)償60秒以上視頻的創(chuàng)作者)支付的報(bào)酬豐厚,。目前尚不確定TikTok區(qū)分長(zhǎng)視頻與短視頻報(bào)酬的原因,但有創(chuàng)作者懷疑,,這可能與TikTok想與YouTube展開更激烈的競(jìng)爭(zhēng)有關(guān)。喜劇創(chuàng)作者比托爾表示:“在過去兩三個(gè)月里,,我獲得了第一筆比較豐厚的收入。但因?yàn)樗惴ú灰恢?,因此我不能說:‘我不需要其他收入來源?!?/p>

各大平臺(tái)不斷變化的支付方式、變幻無常的算法和無法預(yù)測(cè)的趨勢(shì),,可能意味著全職從事內(nèi)容創(chuàng)作將變得更加困難,。即使每月播放量高達(dá)數(shù)億的創(chuàng)作者,依靠?jī)?nèi)容的快速傳播維持生計(jì)(和作為終生職業(yè)),,是否具備長(zhǎng)期可行性,,這在財(cái)務(wù)上仍難以預(yù)測(cè),。

大多數(shù)全職創(chuàng)作者,,包括比托爾,、桑托斯和麥克康奈爾等,,都要靠品牌合作來維持生計(jì),。桑托斯表示:“對(duì)于我和我的大多數(shù)創(chuàng)作者朋友而言,維持正常生活的唯一途徑是通過品牌合作,,而不是創(chuàng)作者基金的微薄收入或者其他獎(jiǎng)金,?!保ㄘ?cái)富中文網(wǎng))

翻譯:劉進(jìn)龍

審校:汪皓

11月6日,,TikTok宣布將關(guān)閉2020年啟動(dòng)的20億美元?jiǎng)?chuàng)作者基金,。該基金設(shè)立的目的是向平臺(tái)上的熱門視頻創(chuàng)作者支付報(bào)酬,。從12月16日起,,如果創(chuàng)作者希望直接獲得TikTok的報(bào)酬,他們需要加入“創(chuàng)意基金”,,該基金僅向不短于60秒的視頻的創(chuàng)作者支付,而超過60秒,,對(duì)于該平臺(tái)上的許多用戶而言相當(dāng)于長(zhǎng)視頻,?!敦?cái)富》雜志采訪的創(chuàng)作者們表示,創(chuàng)作者基金的關(guān)閉,,證實(shí)了他們的擔(dān)憂,,表明該平臺(tái)并非真正重視短視頻內(nèi)容,而且社交內(nèi)容創(chuàng)作職業(yè)生涯的長(zhǎng)度也存在不確定性,。

勞德代爾堡的美食與食譜社交創(chuàng)作者亞歷克薩·桑托斯表示:“我對(duì)長(zhǎng)期從事職業(yè)創(chuàng)作一直有所疑慮,,因?yàn)槲铱床坏轿磥怼,!鄙M兴沟腡ikTok賬號(hào)@alexawhatsfordinner獲得了1,600多萬個(gè)點(diǎn)贊。她認(rèn)為,她的熱門食譜視頻長(zhǎng)度在15至20秒之間效果最佳,,但為了獲得TikTok創(chuàng)意基金的獎(jiǎng)勵(lì)資格,她不得不將視頻延長(zhǎng)到60秒以上,,因?yàn)槌酥辈ズ蛶ж浺酝?,這是創(chuàng)作者目前在該平臺(tái)上獲得報(bào)酬的主要途徑?!懊慨?dāng)有任何變化的時(shí)候,,創(chuàng)作者都會(huì)倍感壓力,;你不得不修改創(chuàng)作的內(nèi)容,,改變創(chuàng)作方式,?!?/p>

2020年7月,,TikTok設(shè)立創(chuàng)作者基金,,規(guī)模為2億美元。當(dāng)時(shí),,該公司表示這個(gè)基金的目的是“為那些希望有機(jī)會(huì)通過創(chuàng)意內(nèi)容維持生計(jì)的雄心勃勃的創(chuàng)作者們提供支持”,。雖然TikTok在隨后的幾年中將該基金的規(guī)模擴(kuò)大到20億美元,,但創(chuàng)作者們普遍表示,,TikTok的遠(yuǎn)大計(jì)劃并未實(shí)現(xiàn),。就連每月播放量高達(dá)數(shù)百萬的創(chuàng)作者也表示,,該基金支付的報(bào)酬微不足道,。喜劇演員帕特·比托爾(TikTok賬號(hào)@nomdecoom)從2021年春便被納入了創(chuàng)作者基金,。他說道:“靠創(chuàng)作者基金,,顯然無法維持生計(jì)?!彼硎?,在此期間,,他的視頻月均播放量為200萬次,,但他獲得的收入總額只有“幾百美元”,。 “它是我們的科技霸主;他們可以隨心所欲地隨時(shí)切斷我們的收入來源?!?/p>

被納入創(chuàng)作者基金和創(chuàng)意基金的資格條件不變:TikTok用戶的粉絲量需要超過10,000,,而且過去30天的視頻播放量要超過100,000次。TikTok的一位發(fā)言人對(duì)《財(cái)富》雜志表示,,創(chuàng)作者基金的所有成員可以被自動(dòng)納入創(chuàng)意基金,只要他們?cè)敢狻?/p>

阿祖爾·麥克康奈爾的賬號(hào)@livecomposed以分享清潔技巧的視頻走紅,。她在約兩年前加入創(chuàng)作者基金,,共從該基金獲得6,328美元收入。這相當(dāng)于每個(gè)月數(shù)百萬的播放量,,只有約100美元收入,。麥克康奈爾表示:“我記得,在最初加入[創(chuàng)作者基金]的時(shí)候,,我想我可以靠這個(gè)賺錢,。但隨著內(nèi)容創(chuàng)作事業(yè)的發(fā)展,我意識(shí)到,,[創(chuàng)作者基金]并不足以激勵(lì)我一直堅(jiān)持展示和創(chuàng)作內(nèi)容,。”現(xiàn)在,,麥克康奈爾主要在TikTok上發(fā)布她為不同品牌創(chuàng)作的內(nèi)容,,這成為她的主要收入來源,。她的原生內(nèi)容在其他社交平臺(tái)上能獲得更高收入,。

失敗的計(jì)劃

為了向創(chuàng)作者提供報(bào)酬,,社交媒體巨頭們啟動(dòng)了許多計(jì)劃,,但這些計(jì)劃都已經(jīng)結(jié)束,,TikTok的創(chuàng)作者基金也是其中之一,。今年早些時(shí)候,,Meta突然結(jié)束了Reels Bonus計(jì)劃,,而且還修改了廣告收入分成計(jì)劃,;這兩個(gè)計(jì)劃啟動(dòng)的目的都是為了向短視頻內(nèi)容的創(chuàng)作者提供報(bào)酬,。《財(cái)富》雜志曾在文章中表示,,TikTok的廣告收入分成計(jì)劃Pulse能讓創(chuàng)作者獲得更多報(bào)酬,。但之后,,TikTok就悄然結(jié)束了該計(jì)劃。

與此同時(shí),,YouTube和Snapchat則在向創(chuàng)作者慷慨付費(fèi),。YouTube Shorts合作伙伴計(jì)劃,,直接鼓勵(lì)對(duì)TikTok不再抱有幻想的創(chuàng)作者,,包括麥克康奈爾和桑托斯等,,為谷歌(Google)旗下的視頻網(wǎng)站創(chuàng)作內(nèi)容,,而且頗有成效,。Snapchat也在通過“瘋狂的”變現(xiàn)計(jì)劃,,吸引德阿梅里奧姐妹和大衛(wèi)·多布里克等大牌網(wǎng)紅的時(shí)間和內(nèi)容,。據(jù)《財(cái)富》雜志報(bào)道,,該公司的計(jì)劃已經(jīng)為某些網(wǎng)紅短短幾天的內(nèi)容支付了高達(dá)10,000美元。

但創(chuàng)作者依舊將TikTok視為最有可能成為網(wǎng)紅的平臺(tái),。創(chuàng)作者對(duì)《財(cái)富》雜志表示,,創(chuàng)意基金(補(bǔ)償60秒以上視頻的創(chuàng)作者)支付的報(bào)酬豐厚。目前尚不確定TikTok區(qū)分長(zhǎng)視頻與短視頻報(bào)酬的原因,,但有創(chuàng)作者懷疑,,這可能與TikTok想與YouTube展開更激烈的競(jìng)爭(zhēng)有關(guān)。喜劇創(chuàng)作者比托爾表示:“在過去兩三個(gè)月里,,我獲得了第一筆比較豐厚的收入,。但因?yàn)樗惴ú灰恢拢虼宋也荒苷f:‘我不需要其他收入來源,?!?/p>

各大平臺(tái)不斷變化的支付方式、變幻無常的算法和無法預(yù)測(cè)的趨勢(shì),,可能意味著全職從事內(nèi)容創(chuàng)作將變得更加困難,。即使每月播放量高達(dá)數(shù)億的創(chuàng)作者,依靠?jī)?nèi)容的快速傳播維持生計(jì)(和作為終生職業(yè)),,是否具備長(zhǎng)期可行性,,這在財(cái)務(wù)上仍難以預(yù)測(cè)。

大多數(shù)全職創(chuàng)作者,,包括比托爾,、桑托斯和麥克康奈爾等,都要靠品牌合作來維持生計(jì)。桑托斯表示:“對(duì)于我和我的大多數(shù)創(chuàng)作者朋友而言,,維持正常生活的唯一途徑是通過品牌合作,,而不是創(chuàng)作者基金的微薄收入或者其他獎(jiǎng)金?!保ㄘ?cái)富中文網(wǎng))

翻譯:劉進(jìn)龍

審校:汪皓

On November 6, TikTok announced that it will sunset the $2 billion Creator Fund, which was established in 2020 to pay creators on the platform for viral videos. Starting December 16, if creators wish to be compensated directly by TikTok, they will need to enroll in the Creativity Fund, which only pays creators for videos longer than 60 seconds—the equivalent of long-form for many on the platform. For creators interviewed by Fortune, the end of the Creator Fund validates their fears that the platform does not truly value their short-form content, and that the longevity of careers in social content creation remains uncertain.

“I’m always anxious about being a professional creator long-term, just because there’s really no line of sight into what the future holds,” says Alexa Santos, a Fort Lauderdale–based food and recipe social creator, who runs TikTok account @alexawhatsfordinner, which has over 16 million likes. She believes her viral recipe videos are best between 15 to 20 seconds in length, but is forcing herself to stretch them to 60-plus seconds for eligibility in TikTok’s Creativity Fund, as it’s now a primary way for creators to get compensated by the platform outside of live-streaming and shopping. “It’s always stressful when things change on us; you have to change what you’re doing and alternate how you’re creating content.”

When TikTok launched the Creator Fund in July of 2020 with $200 million, the company said it aimed to “support ambitious creators who are seeking opportunities to foster a livelihood through their innovative content.” Though the company increased the funding to $2 billion in the following years, creators would largely argue that TikTok’s ambition was unmet. Even creators who garnered millions of monthly views said the Fund paid paltry sums. “It became very clear early on that I was not gonna make a living off the Creator Fund,” says sketch comedian Pat Beutow (@nomdecoom on TikTok) who was part of the Creator Fund from the spring of 2021 until recently. During that time, he says his videos generated an average of 2 million views per month, but he made “a couple hundred bucks” in total. “It’s our tech overlords; they can cut it off at any point if they want.”

The eligibility for acceptance into the Creator and Creativity funds remain identical: TikTokers need over 10,000 followers and more than 100,000 video views in the last 30 days. A TikTok spokesperson told Fortune that all members of the Creator Fund will automatically be accepted into the Creativity Fund, though they need to transfer voluntarily.

Since she joined the Creator Fund about two years ago, Azure MacCannell, known for her cleaning hack videos as @livecomposed, has generated $6,328 from the Creator Fund, amounting to around $100 per month for the millions of views she generates per month. “When I started [in the Creator Fund], I remember thinking, Oh, this is something I can make money on,” says MacCannell. “But as I’ve grown in my content creating career, I realize that [the Creator Fund] is not enough incentive to show up and keep creating content all the time.” These days MacCannell mostly uses TikTok for posting videos she makes for various brands, her primary source of income. Her organic content fares better on other social platforms.

Another one bites the dust

The TikTok Creator Fund’s death is yet another headstone in the cemetery of programs launched—and ended—by the social giants to compensate creators. Earlier this year Meta abruptly ended its Reels Bonus program, and it is remodeling its ad revenue share program; both were launched to compensate creators for short-form video content. TikTok also quietly killed its ad-revenue-share program Pulse after Fortune wrote about it paying mere pennies to creators.

Meanwhile, YouTube and Snapchat have doubled down on paying creators. YouTube Shorts Partner Program is a direct play to incentivize disenchanted TikTokers like MacCannell and Santos to create content for the Google-owned video site, and it’s going fairly well. Snapchat has also made a play to capture time and content from top creators like the D’Amelio sisters and David Dobrik with its “insane” monetization program that has paid some creators upwards of $10,000 for a couple of days of posts, reports Fortune.

Still, TikTok is regarded among creators as the best platform to find viral success. And creators tell Fortune that the Creativity Fund, its initiative to compensate creators for videos over 60 seconds, is paying out meaningful sums. It’s not clear why the payouts for longer videos are so different than those for short videos have been, though some creators suspect it’s related to TikTok’s ambition to escalate competition with YouTube. “It has been a helpful chunk of change—for the first time—as of the last two or three months,” says comedy creator Beutow. “But because of the inconsistency of the algorithm, it’s not enough to say, ‘Oh, I don’t need other methods of income.’”

The ever-changing payment schemes by the platforms, fickle algorithms, and unpredictable trends may mean that being a full-time content creator is harder than ever. Even for creators who are amassing hundreds of millions of views per month, the long-term viability of life (and death) by virality remains financially unpredictable.

Most full-time creators—Beutow, Santos, and MacCannell included—rely on brand deals to stay afloat. “For me and the majority of my creator friends, having the brand partnerships is the only way that we’re able to make a legit living off [creating] versus just scraping together crumbs of Creator Fund this or bonuses that,” says Santos.

財(cái)富中文網(wǎng)所刊載內(nèi)容之知識(shí)產(chǎn)權(quán)為財(cái)富媒體知識(shí)產(chǎn)權(quán)有限公司及/或相關(guān)權(quán)利人專屬所有或持有,。未經(jīng)許可,禁止進(jìn)行轉(zhuǎn)載,、摘編,、復(fù)制及建立鏡像等任何使用。
0條Plus
精彩評(píng)論
評(píng)論

撰寫或查看更多評(píng)論

請(qǐng)打開財(cái)富Plus APP

前往打開
熱讀文章