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專欄 - 蘋(píng)果2_0

被蘋(píng)果拋棄的情人

Philip Elmer-DeWit 2011年02月23日

蘋(píng)果(Apple)公司內(nèi)部流傳著一個(gè)老笑話,那就是史蒂夫·喬布斯周?chē)且黄艾F(xiàn)實(shí)扭曲力場(chǎng)”:你離他太近的話,,就會(huì)相信他所說(shuō)的話,。蘋(píng)果的數(shù)百萬(wàn)用戶中已經(jīng)有不少成了該公司的“信徒”,而很多蘋(píng)果投資者也賺得盆滿缽滿,。不過(guò),,Elmer-DeWitt認(rèn)為,在報(bào)道蘋(píng)果公司時(shí)有點(diǎn)懷疑精神不是壞事,。聽(tīng)他的應(yīng)該沒(méi)錯(cuò),。要知道,他自從1982年就開(kāi)始報(bào)道蘋(píng)果,、觀察史蒂夫·喬布斯經(jīng)營(yíng)該公司,。
出版商們使用新的比喻來(lái)描述史蒂夫?喬布斯如今是怎樣對(duì)待他們的。

圖片來(lái)源:Le Monde

????蘋(píng)果(Apple)最近針對(duì)出版行業(yè)推出了新的訂閱計(jì)劃——包括一鍵式購(gòu)買(mǎi)以及過(guò)濾垃圾郵件等,喜歡這項(xiàng)訂閱計(jì)劃的消費(fèi)者,,可能很難理解出版商們?yōu)楹尾辉附邮茉撚?jì)劃,。

????于是,出版商們開(kāi)始使用比喻這一“重磅炸彈”對(duì)蘋(píng)果進(jìn)行攻擊,。以下是近來(lái)一些新聞報(bào)道的節(jié)選:

? “過(guò)去一些年里,,傳統(tǒng)出版商們一直像中學(xué)里的乖乖女,一直被人們忽視,,而那些新生則吸引了大家的全部注意,。”——戴維?卡爾,,《紐約時(shí)報(bào)》(New York Times)

? “他們(指蘋(píng)果——譯注)就好比你中學(xué)時(shí)的漂亮女友,,無(wú)緣無(wú)故就跟你翻臉?!币晃怀霭娼绺吖鼙г沟?。——露西亞?摩西,,MediaWeek

? Last.fm的聯(lián)合創(chuàng)始人理查德?瓊斯說(shuō)得更直白:“蘋(píng)果對(duì)iPhone在線音樂(lè)服務(wù)宣判了死刑,。”——喬什?哈利迪,,《衛(wèi)報(bào)》(Guardian)

????弗雷德里克?菲歐克斯在Monday Note網(wǎng)站發(fā)表文章,,詳盡分析了出版商們面臨的困境。具體內(nèi)容請(qǐng)參閱該網(wǎng)站,。

????譯者:項(xiàng)航

????It's not easy to explain to customers who like the sound of Apple's (AAPL) new subscription plan -- from one-click purchases to protection from junk mail -- why it's a deal breaker for publishers.

????So they've turned to the most powerful weapon in their literary arsenal -- the metaphor. A sample from Monday's news stories:

? "Traditional print publishers have spent the past few years cast in the role of the nice old-fashioned girl in high school who was ignored while more recent arrivals got all the attention." -- David Carr, the New York Times

? "They're the beautiful girlfriend you had in high school who was a bitch for no apparent reason," grumbled one publishing executive. -- Lucia Moses, MediaWeek

? Richard Jones, the co-founder of Last.fm, put it more bluntly: "Apple just ____ over online music subs for the iPhone." -- Josh Halliday, the Guardian

????For more substantive analysis of the publisher's predicament, see Frédéric Filloux's Monday Note.

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